With some excellent characterisation, genuine wit, and a sense that everyone in the room is in on it, THE ORACLE delivers a riotous, fun, and light-hearted night out.

In a devastatingly effective takedown of the rampant sexualisation of young girls, Jamie Mykaela delivers a long overdue throat punch to the music industry.

High impact, yet unnervingly surreal, The Nose is a thrill to experience. We're captivated, watching as the three performers shift between characters—darting on, off, and around the stage.

Elena Mazzon works to redress the omission of Clara Schumann nee Wieck’s life, accomplishments, and humanity in her one-woman show, CLARA: Sex, Love and Classical Music.

A rambunctious display of superb modern clowning positively teeming with lively physical comedy.

Tomás Ford reveals more of himself in an hour than his audiences have seen over his whole career. 

Whether you’ve ever felt inclined to explore sailing or not, Scott Murphy: Sailing Lessons is a show you’ll enjoy.

The eponymous comedy burlesque phenom presents Clara Cupcakes: Top Bits—a largely autobiographical and wholly entertaining journey through her career to date.

Fate, belief, and an incredibly detailed prediction are explored in the hilarious and touching You’re a Good Man, Dr Pirate.

Maniacal genius of alt-comedy, Claire Sullivan annihilates the audience’s sense of reality with Toast Rat.

The Bride is an unbridled (if you will), strange, and wonderful work that leaves audiences enchanted and with a newly-warped view of comedic theatre.

This is a showcase with a theme that you'll get no prizes for guessing based on the title, although you may get actual physical prizes during the show.

ELLIPSIS was a show that had all the promise of an absurd and mind-bending experience but sadly missed the mark.

Ragnarøkkr is an hour of rock music, in essence a concept album performed live, telling the story of Ragnarok from a fresh perspective. 

The Flanagan Collective & Gobbledigook Theatre have produced another brilliant show. The Gods The Gods The Gods is sure to delight audiences. 

The strength of Talkback lies with the effective use of space, audio and light to create the physical experience of a haunting in contrast to the flat, clear light of normality. This is a solid play for those who love thrillers.

BITE ME is a bittersweet romp through the world of desire, body image and self-worth from the perspective of an avocado, a chilli, and a steak on the shelf at the local supermarket. This sounds like a setup for a joke, and BITE ME delivers on that promise.

Josh Glanc is a crowd favourite at FRINGE WORLD for a very good reason; he’s an absolute gem of a comedian who at any moment is liable to bring forth that which his audience least expects.

QUOKKA APOCALYPSE is a fun, satirical, and thought provoking show that succeeds in depicting a much-needed, albeit fantastical, revolution. Cultural criticism at the heights of hilarity, it's an anthropomorphic joy to witness.

Written and performed by Iskandar Sharazuddin, Post-Mortem neatly dissects a relationship long since dwindled.

Milk Box Theatre Company presents a strong piece of very smart social commentary and a powerful call to action, with a brilliant ensemble cast and a control of tone that manages to entertain as much as it educates.

The Flanagan Collective & Gobbledigook Theatre deliver another beautiful show, with a unique format and enthralling narrative.

STYX is an evocative experience combining music, history, myth and neuroscience to recreate the myriad ways in which the mind constructs narrative and memory.

A crimson vision in a slinky bustier, with immaculately curled hair and a delightfully glittered beard, not to mention her waxed moustache points, this seven-foot siren delivers on the premise of the show title.

KAFKA’S APE is brilliant as much for the moments it adapts Kafka’s original as for the moments that remain faithful to it.

CHAMELEON is a hilarious production that takes a frank look at gender and identity, using the chameleon as a metaphor for the way women construct their public personas.

In These Trees The Autumn Leaves Alone, Wil Greenway tells a story of moments, connected through time and fallibility.

In Queer and Present Danger, comedy mastermind and self-titled voice of a generation Anna Piper Scott delivers a performance that entertains, enlightens, and astounds.

FEMME is an empowering exploration of women and non-binary people taking back control of both their bodies and stories, and demanding we hear them.

SENSE AND SPONTANEITY is a wonderful reinvention of classic literature for a modern audience that will make Austen fans of those not already in the club.